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Wednesday, May 5, 2010
 April has flown by. Sister Ruth gave a beginner pastel half-day workshop for me and a few friends at the studio in Jackson.
Lots of helpful information - she brought different papers as well as her pastels for us to play with. Landscape show
from Birdman was taken down and remaining work was dispersed. Art work was put up at Oschner Clinic on Bluebonnet, new
work taken to Elizabethan and Main Street. Sadly, I have decided to pull out of the Covington Gallery 421. I just
can't seem to get over there to work the space as I should. For May and June, I am participating in Mayflower Artists
Gallery, a co-op at the corner of Mayflower and Napoleon, Beauregard Town, Baton Rouge. I am fortunate to have these
opportunities, however, I am feeling a bit pulled and longing to have some quality paint time.
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DONNA
BATEMAN KILBOURNE
Working primarily in oil since 1997, Donna began as a self-taught artist. She
later studied with Billie Bourgeois, as well as taking workshops from Ann Warner, LA; Alice Williams, GA; Beverly Dudley,
LA; Ken Hosmer, NE; Ann Crawford, LA; Elmore Morgan, Jr., LA; Alan Flatman, LA; Leonard Wren, WA; C. W. Mundy, IN; David Gallup,
CA; Pam Ingalls, WA; Kim English, CO; Ken Hosmer, MO; Marc Chatov, GA; Roberta Remy, AZ. Donna has participated
in various art shows in the area, as well as having her work accepted into numerous juried shows. Her work is currently
being shown at various local galleries and hangs in homes and businesses from Texas to Massachusetts. Please contact by phone or e-mail to locate any work shown on this web site or for more
information on any painting.
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| Donna Bateman Kilbourne |
I hope the viewer finds a measure of the joy I feel while creating
a painting. Every work is a challenge and a learning experience. When I am frustrated with a painting, all I have
to do is find the fellowship of other artist or read the thoughts of the masters to understand that I am not alone, that every
artist follows the same path. Different grades and curves and side paths, but we all share the common desire to create
and communicate through our paintings.
ORGANIZATIONS
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